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Tag Archives: Atlanta Photographer

Ask Shannon – Question Two

Question two comes from Marchet, who writes:

Dear Shannon,

I have been watching your blog for most of this year and have been delighted and amazed by your work. I’ve admired not only your photography but also your captivating narrative. Thank you for being an inspiration and a role model for me. I am just venturing out into the photography business and would love your best business advice for beginning entrepreneur.

Congratulations on your business venture, and thank you for the compliment! There are three things that I believe are critical for any photographer hoping to build a business around their passion. Some of these things can be a little sensitive to talk about, but you asked! :)

The first is simple and obvious … know your craft and your tools. Especially with location photography, you are going to find yourself in a huge variety of settings and situations. You might end up shooting in a house with no light to be found. Or maybe you will be shooting 4 year old triplets with dirty clothes and a sugar high. You might be standing in the rain racing to get that one last shot before the downpour really starts. (Yes, I’ve done all three of these.) The variables in this business can really cause some stress during a session. The elements you can control in the midst of chaos – your mastery of your camera, your ability to find and manipulate light properly, and your own creative vision – will be the keys to your success. That’s not to say every session will be stressful. But there will be a few, and you will want to come through those smiling just like the non-stressful ones. Know your camera, your light modifiers, your lenses, and your photo editing software. Know them like the back of your hand.

The second is probably the most critical … be a business person. Any successful photographer (not the starving artist, but the photographer who can actually afford to pay their bills and still pay themselves, too) will tell you that success in this industry is 20% talent and 80% business skills. You absolutely must understand what it takes to run a business and do so legally. Be prepared for the money and time required. Your cost of doing business is not just your camera and your prints. Your business time is not just your time behind the camera. Consider all these additional and important expenses (and more that I haven’t even listed here):

  • Back up cameras and lenses. Ideally, you should have at least two of everything you might need during a shoot. And plan on upgrades yearly. I typically replace my cameras once per year. I have invested close to $40,000 in equipment since starting my business four years ago. You’ll probably need twice that if you plan to shoot weddings. And that doesn’t even include studio lighting and equipment, since I don’t shoot with those things. Add another $20-30K if you plan to shoot in a studio environment. And that is also not including money to be spent on props.
  • Business registrations, city occupational taxes, sales tax, etc. You must understand how to file all of these, how to stay up to date, and budget to pay them.
  • Professional services. Budget for consultations with legal and accounting professionals, especially as you are getting your business and policies established. You’ll want to work with a professional accountant at least once or twice per year in addition to tax time, to keep yourself on track.
  • Insurance. You MUST protect yourself and your clients, not to mention your equipment. Plan on about $500-$2000 annually for property, liability, and other business insurance. I also carry a short-term disability policy in case I am unable to work for more than 3 months.
  • Computer expenses. Like cameras, I upgrade my computers annually. I have two computers, two monitors, and a bunch of other little gadgets that help me run my business. Time is money, and a slow, unreliable computer will eat up your profits quicker than you can imagine. Losing a client’s images to a faulty computer will be your worst nightmare.
  • Education. Unless you are Ansel Adams or Anne Geddes, you will probably have a wealth to learn about photography even after your business is well off the ground. I know I do! Attending workshops and conventions, joining professional organizations and forums, taking classes, buying books, subscribing to magazines … these are all business expenses and time investments you should plan for.
  • Marketing. You need a way to help people find out about you. Maybe it is print advertisements, maybe it is direct mail, maybe web marketing. Even word of mouth marketing costs money and time.

Along with all these and other expenses, you need to get paid! How much is your time worth? And not just your shooting time … your driving time, your editing time, your ordering and packaging time, your bookkeeping time, etc. After my first year in business, when I was charging $25 for an 8×10 and a $75 session fee, I thought I was doing pretty well. Then with a trusted business advisor, I did a little math. In that first year, I made, on average, $4 to $6 per hour for my time. BEFORE taxes! With some sessions, I actually lost money. OUCH!! I was paying my babysitter more than I made for myself! And so, while it was hard to raise my prices after that first year, and hard to lose some of the clients who could no longer afford my work, clients whom I liked very much personally, it was necessary. I had to either price myself so I could earn a decent salary or I had to shut down my business.

Third, be YOU. Find out who you are as a person, as a wife or a friend or a mother or a child of God. That will be one of the first steps to finding your voice as an artist. And in doing so, make sure it is YOUR voice, and not a copy of another artist you admire. Inspiration is a wonderful thing … let it be the launching pad for YOUR art, not the foundation for art you lay as a thin veneer over it. Let new ideas from other artists feed your creativity, but don’t let them bog you down in trying to keep up with all the latest trends. Be honest, be bold, be genuine, be loving, and be humble. Your clients will appreciate you more for it.

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Ask Shannon … 1st Question

I’ll start with Abbey’s question, since her post on the Fishies entry was the first question that came in. Thanks to those of you who have already emailed … you all have sent some really cool inquiries! I’m flattered by the compliments and questions that came in so quickly! Some are going to take some thinking and photo gathering on my part, so bear with me. And if you don’t see your question answered right away, please be patient … I’ll be answering questions in between normal blog business. I’ll still be offering my session sneak peeks and other tidbits.

Abbey wrote, “I am so curious about how you got such great shots at the aquarium. I frequent there and wonder…. Did you do manual? help!! these shots are fabulous!”

The short answer is, Yes. Shooting on manual is key in a tricky lighting situation like this. Today’s digital cameras are brilliantly designed, but the human eye and brain are still smarter. For instance, look at the image of my son looking up at the aquarium window above him. When I looked upon that scene, I saw it exactly as it is appears in this shot. My eye picked up the detail in the water and fish, and it saw the curve of the light falling on my son’s features from above. It saw the soft “pool” of light falling around where he sat. And it interpreted the dark areas just as you see here … dark. Details weren’t necessary in those areas, so the image that came into my brain ignored them, left them dark.

Our brilliant cameras aren’t that smart. Even on Spot Metering mode, the odds of the camera finding the right exposure in a scene like this are small. You could meter off the window above, but you might not get enough light on the child below. Or you could meter off the bright spot on the child’s forehead, but the camera would probably try to brighten up the scene a little more, to find details in those dark areas, and then it could possibly blow out the bright water above.

In general, I encourage any photographer, new or old, to get completely comfortable shooting your camera fully manual. Ok, you can still use auto-focus. :) It takes time, but you will find that shooting manually becomes instinct for you, and you will one day find it hard to shoot any other way. I found that out at the aquarium that day. I started the day shooting manual, as I always do, even for family snapshots. But the light was constantly changing at each exhibit, and there were crowds of people, and my children running everywhere, and I frankly got lazy. So about 30 minutes into our visit, I decided to flip my camera over to Aperture Priority just to catch the snapshots. Well, it drove me NUTS! I spent more time fighting with my camera after that than looking at the fish! The exposures were jumping all over the place, and I missed a couple of snapshots I would have loved because they were grossly under or overexposed. So now I know. Auto mode makes me a bad photographer. :)

Want to see what I mean? Get ready everyone … I’m about to share a really BAD photograph! When I first turned and saw my son sitting under that window, I still had my camera on Aperture Priority (Semi-Auto) mode. As quickly as I could, I framed and snapped the shutter. This is what my camera gave me on Auto:

YIKES! Right? So in the next 1.5 seconds, I switched the camera back to manual. This scene being so low in light, I set my aperture for f/2.8, the widest possible on this lens (Canon 24-70 f/2.8L). I looked through the viewfinder, and watched the in camera meter as I moved from the window to my son’s face, mentally comparing and averaging the two readings. Then I set my shutter for 1/80, even faster than the meter told me, because I still knew that the camera was trying to balance the entire scene, though I was most concerned with capturing the rim of light on my son and leaving the rest dark. Presto.

You are the artist. Your camera is nothing but the tool. Picasso didn’t paint his masterpieces just because he had an expensive paintbrush. He knew exactly what to do with the brush and the pigments. You give up your control as the artist when you let your camera do too much thinking for you. Find your vision and then use the camera to bring it to life. Thank you for your question and kind words, Abbey. Hope this helps!

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Exhilaration

A crisp February day, the warm tones of the winter leaves, a glint of sunlight on curly hair, the vibrant wonder in blue eyes … the exhilaration of being Two Years Old!

Mr. A has enough energy for TWO two year olds! He had a blast running around our portrait location, checking out all the exciting details in every nook, stopping for an occasional hug from Mom and Dad. I was concerned about the cool temperature of the morning, but his parents assured me that he loved cool weather, and they were right!

I have had the honor of photographing Mr. A since he was 3 months old. His eyes have captivated me since the first day I met him. And now to see his exuberant spirit is such a delight. I am so anxious to see what the future holds for this young man. I know his life will be full of adventure.

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